1919-1922 – Orlova had been studying in the Moscow conservatory, a class of grand piano, but she didn’t graduate from it because of the absence of money.
1922-1925 – Orlova had been studying at a ballet faculty of the Moscow Theatrical Technical Secondary School (another name – High Ballet School).
1922-1925 – she was being tutored at home in dramatic art by Teleshova, E., a director of the Moscow Art Theatre .
1920-1926 – she had been accompaning silent movies on the piano in Moscow cinemas Union , Ars, Great Silent and Orpheum. Later on she had been providing concert entertainment before movie displaying at the cinema Ars.
1926-1933 – She had become a member of a mixed chorus and, later on, a soloist of the Musical Theatre under the direction of Vladimir Nemirovitch-Danchenko.
Lyubov Orlova had entered the mixed chorus of the Musical Theatre under the direction of Vladimir Nemirovitch-Danchenko, as a member, after graduating from the Moscow Theatrical Technical Secondary School in 1926.
Lead roles at the Musical Theatre under the direction of Vladimir Nemirovitch-Danchenko:
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Perichola in the operetta by Jacques Offenbach «La Perichola».
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Hersilie in the operetta by Charles Lecocq «Madame Ango’s Daughter» (“La Fille de Madame Angot”).
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Serpolette in the operetta by Robert Planquette «Corneville’s Bells» (“ Les Cloches de Corneville”).
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Georgette in the operetta by Jacques Ibert «Italian Straw Hat» (“Un Chapeau de Paille d'Italie”).
1926-1930 – She was married to Andrei Berzin (1893-1947/8 гг.), Deputy Head of the State Commissariat of Agriculture. In 1930 Andrei Berzin was arrested by GPU in connection with a trumped-up case of a Labor Peasant Party. В 1938 г. he was re-arrested and was sent into a concentration camp of GULAG.
1932-1933 – She had a common-law marriage with a German/Austrian entrepreneur. The more accurate information on him is absent.
